Countdown to App Release: Chapter 5 - Royal Hall to Public Mall

After hopping over an ocean, soaring through many time zones and communing with several cultures, experiencing sketchy Internet access all along the way, I give you, without further ado, Charlotte's story with an added bonus: One of my favorite images in the entire BMLG App...  

In Chapter Five...

In which Louis-Philippe Joseph II, Duc d'Orleans transforms the Palais Royal into the place to be in Paris while aiding the advancement of the coming Revolution...

The gardens of the Palais Royal were for a long time private, enclosed by the backs of houses that faced the outer lying streets. Louis-Philippe Joseph II, Duc d’Orleans, changed that. From 1781-84, he created what you see here: France’s first ever public shopping arcade. He transformed these gardens from a private domain into a popular Parisian social center.

Truth is, the Duc d’Orleans, like his cousin the king, needed money. He was a notorious gambler and he squandered the Orleans family fortune building a private pleasure garden to rival the queen’s hamlet at Versailles.  So, he built this new housing and shopping arcade around the perimeter of the Palais Royal gardens, and he did something that had never been done before in France: He sold or rented the apartment spaces to people from all levels of French society, with large apartments for the rich on the first level above the shops, and smaller, more affordable apartments as you reach the roof.  He rented the gallery spaces to cafés, smart shops, theatres, restaurants, and even a few gambling casinos. 

Louis-Philippe Joseph also encouraged printing presses to open here at the Palais Royal, presses that published and distributed journals and broadsheets expressing the Enlightenment views that were so unpopular with the king.  But because this was royal ground prior to the Revolution, the king’s police were not permitted to enter the property. Therefore neither Louis-Philippe nor those who printed revolutionary literature here could be censored under the monarchy.  It is thanks to these broadsheets that we in Normandy, and elsewhere in the French provinces, have been made aware of events taking place in the French capital since 1789.

In a few short years Louis-Philippe Joseph II, Duc d’Orleans, turned the Palais Royal into the place to be in Paris. Since their opening, these gardens have been crowded with people both day and night.  I read in a popular journal printed right here at the Palais Royal that if you threw an apple from an apartment window it would never hit the ground – that’s how thick the crowd can be!

Café tables and chairs spill out into the gardens at all hours. Circus acts and street performers entertain the crowds. Both Parisians as well as visitors from the Provinces, like myself, come to the Palais Royal to shop, gamble, drink, and mingle, because this is the place to meet and discuss the ideas of Enlightenment philosophy.  And where, in 1789, it was very fashionable to talk of Revolution. 

That’s why it is said that the French Revolution started right here, at the Palais Royal!

Come back for Chapter Six...

In which Charlotte explains the meaning of "Revolution".

Image:

The Palais Royal Garden, 18th C. From Paul Lacroix Jacob (1806-1884), The XVIIIth century: its institutions, customs, and costumes: France, 1700-1789; illustrated with 21 chromolithographs and 351 wood engravings after Watteau, et al. London: Chapman and Hall, London, 1876. Digital image of color plate opposite page 346, courtesy of The Costumer’s Manifesto, http://www.costumes.org.

Camille Desmoulins Incites the Revolutionary Mob

July 12:
Rioting in the capital city of Paris due to the sacking and disappearance of Jacques Necker. The government orders all theatres as well as the Opera closed. A mass of people descends on the Palais Royal.

While dining there, Camille Desmoulins, a poor journalist from north-eastern France and Third Estate delegate, finds himself surrounded by an angry mob. The people are frightened by the advance of the King’s troops on Paris. How will they defend themselves against the King’s soldiers if they attack?

Desmoulins is known for his awkward stutter. But on this day he loses it, at least for a little while. He knows where to find weapons. They will steal them from the King! They will capture the royal munitions stored at Les Invalides!

He climbs onto a table here at the Palais Royal’s Café des Foy. “Aux armes, Citoyens!”, he shouts (To arms, Citizens!). “Plunder the Arsenal!”

In France, the color green represents hope. Desmoulins tears a leafy branch off a nearby tree and puts it in his hat. The rowdy mob also tears tree branches to adorn their hats until they have stripped bare the trees of the Palais Royal.

From that moment, wearing or waving a tree branch symbolizes one’s support for the French Revolution.

Come back tomorrow to see the surprise that awaits the mob when it reaches Les Invalides.

Image:
Print of Camille Desmoulins exhorting the people to take to the streets, courtesy of http://chnm.gmu.edu/revolution/.

Sources:
Towle, Sarah B. Time Traveler Paris Tours: Beware Madame La Guillotine. In development.

Paris Monuments - The Palais Royal

One of my favorite Paris places is the garden of the Palais Royal, a gem hiding in plain sight right in the middle of town. Indeed, I’m embarrassed to admit that I had already lived here for two years before stumbling on it, having just missed it any number of times while visiting the Musée du Louvre or taking in a show at the Comédie Française. It was like finding an urban Shangri-la!

The Palais Royal was first known as the Palais Cardinal, the home of Cardinal Richelieu, chief advisor to King Louis XIII (and some say the real power behind the throne). He built his beautiful home just across the street from the king who lived at the Palais du Louvre back when that part of today's 1st arrondissement sat at the very edge of the city (see map of Paris 1789).

On December 4, 1642, Cardinal Richelieu died. He left his palace to his friend, the king. But Louis XIII never had a chance to use it, for he died just five months later. His son and heir to the throne, Louis XIV, was then only four years old, much too young to run a country. So young Louis' mother, Anne of Austria, ruled in his name as Regent until he was old enough to take the crown. She didn’t like the draughty then-300-year-old Louvre Palace, so she moved the boy King and his little brother, Philippe Duc d’Orleans, to the more modern Palais Cardinal. Because members of the royal family were now living in the palace, its name was changed to the Palais Royal.

On his 13th birthday, in September 1652, Louis XIV declared himself King. He moved back to the Louvre Palace, where he lived for 30 years before transferring his family and the entire French government to Versailles in 1682. The Palais Royal remained the home of his younger brother, Philippe Duc d’Orleans. It would stay in the hands of the Orleans branch of the royal family for the next 150 years. By 1789, the Palais Royal was home to Philippe’s great-grandson, Louis-Philippe Joseph II Duc d’Orleans, the first cousin of King Louis XVI and royal member of the new National Assembly.

During their first century-and-a-half, the gardens of the Palais Royal were private, enclosed by the backs of houses that grew up around them but faced the outer lying streets. Louis-Philippe Joseph II Duc d’Orleans changed that. From 1781-84, he transformed the gardens from a private domain into a popular Parisian social center, creating France’s first-ever public shopping arcade.

The truth is: the Duc d’Orleans needed money. He was a notorious gambler and he squandered the Orleans family fortune building a private pleasure garden (now called the Parc Monceau) to rival Marie Antoinette’s hameau at Versailles. So, he built this new housing and shopping complex around the perimeter of the Palais Royal gardens, and he did something never before done in France: He sold or rented the apartment spaces to people from all levels of French society, with large apartments for the wealthy on the first level, and smaller, more affordable apartments as you reached the roof. He rented the ground-floor gallery spaces to cafés, smart shops, theatres, restaurants, even a few gambling casinos.

He encouraged printing presses to open at the Palais Royal, too; presses that published and distributed journals and broadsheets expressing the Enlightenment views the king and his council considered so treasonous.

But because these were royal grounds, the king’s police were not permitted to enter the property. By royal edict, neither Louis-Philippe, nor those who printed rebellious literature at the Palais Royal, could be censored. It was thanks to these broadsheets that people outside Paris kept up-to-date with the events taking place in the French capital in 1789.

In a few short years Louis-Philippe Joseph II Duc d’Orleans turned the Palais Royal into the place to be in Paris! Since their opening, the gardens were crowded both day and night. One journal wrote that if you threw an apple from an apartment window it would never hit the ground – that’s how thick the crowd could be! Café tables and chairs spilled out into the gardens at all hours. Circus acts and street performers entertained the crowds. Parisians as well as visitors from the provinces and abroad came to the Palais Royal to shop, gamble, drink, mingle, and discuss the ideas of Enlightenment philosophy without threat of censorship or imprisonment.

It was also where, in 1789, it was very fashionable to talk of Revolution. Thus it is said that the French Revolution started at the Palais Royal, the home of the King Louis XVI's own cousin!

***

Coming soon: Camille Desmoulins incites the crowd at the Palais Royal. Stay tuned.

Images:

Photo from the Palais Royal gardens by Beckstet , courtesy of Wikimedia Commons.

Photo of the former Palais Cardinal, now the French Conseil d'Etat, courtesy of Wikimedia Commons.

Painting of the boy king, Louis XIV, courtesy of Wikimedia Commons.

Engraving of the Palais Royal, courtesy of The Costumer's Manifesto: http://www.costumes.org/history/18thcent/lacroix/chrome10.jpg.

 

Source:
Towle, Sarah B. Time Traveler Paris Tours: Beware Madame La Guillotine, in development.